Slow criticism Art criticism, under oath Let's give the artworks what they deserve Criticism without algorithms
ARTONTRIAL
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Guy Richards Smit:
Devil's Advocate
Last Trials
Hito Steyerl vs. Jumana Manna
Steyerl can’t help but be awed by feats of ingenuity displayed by the world hegemonic power.
Valentin Diaconov
Giuseppe Penone vs PHILTH HAUS
Artist as an outsider in the natural order, or the artist as part of nature.
Àngels Miralda
Last Memos
Post-it
Letting Go Poem
An Paenhuysen
When I teach art criticism, my favourite exercise is inspired by the Fluxus artist Robert Filliou, who was an advocate for co-creative writing. Once, at the closing of an exhibition, Filliou, together with the artist Emmett Williams, asked the audience to write down the name of something or somebody they would gladly get rid of. These were then collected and read out loud as a collective poem. I adapt this exercise, giving everyone a post-it and ask them to write down what they as art critics would like to let go of. We collect the post-its and read them out loud. The word that pops up most is ‘fear’. Writing itself is actually the remedy for fear. Take Jacques Derrida, who stated in a 2002 documentary film that ‘nothing intimidates me when I write’. But then, even for him, there is sometimes a moment upon falling asleep: ‘All of a sudden I ́m terrified by what I ́m doing.’ Derrida concluded: ‘When I’m awake, conscious, working, in a certain way I am more unconscious than in my half sleep.’
Resident of the Month
Juan Santiago Martinez
Critics on Trial
Third degree
Graciela Speranza
My relationship with art is “definitely unfinished”.
Why Bad Reviews
When art critic Waldemar Januszczak described my work as a “mustard advert”.
Aleksandra Mir
Retrospective
‘Otherness’ is part of Munch exhibition, by Emily Genauer
Critic's Choice
The Best Single Page of Art Criticism
James Elkins
Evergreening
AICCA (2023)
The robot dog that defecates art reviews thanks to Chatgpt.